Bronco Billy The Musical – Charing Cross Theatre

Pictures: Roy Tan

Bronco Billy The Musical continues at the Charing Cross Theatre, London until 7 April 2024.

Star rating: three stars ★ ★ ★ ✩ ✩

This town isn’t big enough for the both of us… That’s right, there happens to be two new cowboy-themed productions in London town and with Cowbois at the Royal Court ending in early February, there is a new kid on the block: Bronco Billy the Musical.

Let’s start with the simply sublime cast. The performers completely mould into their characters, each one as endearing and well-rounded as the next. The chemistry between Emily Benjamin and Tarinn Callender (in the titular role) might not be as palpable as it could be, but I think this is more down to a fairly predictable love story structure rather than the actors’ capabilities. A special mention goes to Victoria Hamilton-Barritt who is utterly scene-stealing with her comedic timing and ingenious characterisation.

Chip Rosenbloom, John Torres and Michele Brourman’s score is best described as an enjoyable way to experience the sensational vocals from the cast, Benjamin, Callender and Karen Mavundukure in particular. Any one of these performers could sing ‘Happy Birthday’ on repeat and I’d listen intently. There are a couple of standout musical moments including ‘You Can Ride With Me”, but overall the soundtrack is quite generic with a ‘follow your dreams’ narrative.

Some of the script feels a little clumsy with lines feeling almost panto-esque; one of the villains dramatically announces his name for it to only be pronounced incorrectly back to him. This jars with the major plot points of the show as, tonally, it feels odd to have a show with themes of identity, poverty, discovering true family, death and murder which suddenly clicks into jazz squares and cheesy one-liners at the drop of a cowboy hat.

Unfortunately, the odds were against the wonderful cast on press night with many a prop and scenery mishap occurring. With the show filled with tricks, stunts and theatre magic, it may take some time to iron out any kinks and quirks, but I do not doubt that a cast as skilled as this one will handle it with ease.

There is no expense spared on the set which, despite being enclosed in a relatively small space, manages to evoke an expanse across the Wild West and beyond. The main feature is a tour bus reminiscent of Priscilla Queen of the Desert on a central revolve, complemented by additional scenery which unfolds from the wings. Combined with a sizeable fire, smashing plates and stars and streamers which pour into the auditorium, you’ve got a visually engaging and stimulating set.

Hunter Bird’s production is a fun night out, but unfortunately loses its soul along the way, However, that is not the fault of this dedicated cast. If you’re keen to experience some powerhouse vocals and in need of some daft humour to distract you then this is the show for you.

Olivia Scull