Barnum – Waterside Theatre, Aylesbury and Touring

Lee Mead and the cast of Barnum at the Waterside Theatre, Aylesbury and Touring. Picture: Pamela Raith

Barnum was reviewed at the Waterside Theatre, Aylesbury where it continues until 28 March 2026. The tour continues until 31 October 2026.

Star rating: four stars ★ ★ ★ ★ ✩

Roll up, roll up, the theatrical spectacular Barnum has arrived at the Waterside Theatre, Aylesbury and is ready to wow guests with its awe-inspiring circus acts and high-energy musical numbers.

Inspired by the life of legendary 19th century showman P.T. Barnum, West End superstar Lee Mead takes on the role made famous by Jim Dale and Michael Crawford in the original Broadway and West End productions. Although Mead brings his own charm as the leading man, get ready to see some of the recognisable stunts from the original, like the death-defying tightrope scene.

Directed by Jonathan O’Boyle, this new staging follows Barnum’s fascinating life as he delivers on his big dreams, from a circus to a museum to running for mayor; there was a reason he was so renowned. Mead provides an excellent performance as the entrepreneur, with his infectious and bubbly personality making it impossible not to smile along with the show. Monique Young as his long-suffering wife, Charity, complements Mead’s Barnum with her strong will and determination. It was hard to tear my eyes away from the duo.

Although there is no doubt that Mead has strength as the lead, it’s the ensemble that makes the show an extravaganza. The multi-talented bunch play instruments while dancing, complete aerial feats and breath fire. Barnum isn’t just a musical, it’s a treat for all the senses.

Choreographed by Oti Mabuse, the show has plenty of energy and pazazz. The vintage circus vibe is further enforced with the colourful and creative set and costumes, designed by Lee Newby. Think red and white stripes, lace-up boots and corsets.

There are some standout musical hits, like the opening number for Act II, ‘Come Follow the Band’, which involves the whole company, whether performers are playing the violin while jigging or doing backflips across the stage. ‘Black and White’ highlights the visual impact of the show, as both the set and cast members are transformed from monochrome to a bold and colourful design.

However, what the show lacks, is a storyline with substance. For me, nothing particularly groundbreaking happens, and even though each scene is a delight to watch, they have a tendency to merge into one. The show needs more jeopardy or a plot with twists and turns that would result in the audience being more engaged with the characters and the story’s final destination. A very enjoyable show with incredibly skilled performers, but it needs more depth if I am to make a return visit.

Hannah Grimmette