Picture: Paul Coltas
Mean Girls was reviewed at the Milton Keynes Theatre, where it continues until 18 April 2026. The tour continues until 30 January 2027.
Star rating: five stars ★ ★ ★ ★ ★
The stage adaptation of Mean Girls is bringing high school drama to Milton Keynes Theatre this week, with energy, sharp wit and a surprising amount of heart – proving that the cult classic is still relevant in a modern setting.
Based on the iconic 2004 film written by Tina Fey, the musical of course follows Cady Heron (Emily Lane) as she navigates the chaotic social hierarchy of an American high school after spending her childhood being home-schooled in Kenya by her academic mother. While fans of the original will recognise the story, this stage version has its own personality, blending nostalgia with contemporary humour and a fast-paced, digital age twist.
The cast delivers across the board, capturing the essence of the beloved characters while making them feel fresh. Vivian Panka as Regina George is every bit as commanding and calculated as you’d hope, while Georgie Buckland and Max Gill as Janis and Damian are perfection and deliver some of the show’s biggest laughs. It was also a treat to see Faye Tozer in the line-up as not one but three characters, bringing spark to Ms Heron, Ms Norbury and Mrs George.
Finally, the show’s leading lady, Lane, handles Cady’s journey from outsider to ‘Plastic’ and back again with sincerity, warmth and conviction. Every character is believable and enjoyable to watch, with superb acting, singing and dancing demonstrated by the whole cast.
The costume design by Katrina Lindsay plays a huge role in bringing the world to life. From the instantly recognisable all-pink Plastics’ aesthetic to the subtle shifts in Cady’s wardrobe as she assimilates into the group, the costumes cleverly reflect character development and social status. Each outfit feels intentional and very much in tune with the show’s heightened reality, while still nodding to the film’s most iconic looks.
The show is given even more pelt by Casey Nicholaw’s vibrant staging, including its slick set changes, clever props and bold lighting design, which keeps Mean Girls moving at a relentless pace. The choreography (also Nicholaw) is equally dynamic, injecting each musical number with vibrancy and precision. And as for the songs (Jeff Richmond and Nell Benjamin), even a sceptic like me, that couldn’t see how this beloved film would translate into a stage show, was caught up in the catchy and funny repertoire of hits. Supported by the live band, the show ticks all the boxes and provides an entertaining night out full of giggles and light-hearted humour.
Interestingly, one of the most noticeable aspects of the evening wasn’t just on stage, but in the audience. There was a strikingly young crowd in attendance — a reminder that Mean Girls has found a whole new generation of fans. What began as a cult film has clearly evolved into something more current and culturally relevant, with its themes of identity, popularity and social pressure still resonating strongly today.
Hannah Grimmette
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