Sandra Marvin, Carrie Hope Fletcher and Evelyn Hoskins in Waitress at the New Wimbledon Theatre, London and Touring. Picture: Johan Persson
Waitress continues at the New Wimbledon Theatre, London until 4 April 2026. The tour continues until 31 October 2026.
Star rating: five stars ★ ★ ★ ★ ★
It’s hard to believe that Waitress, with music and lyrics by Sara Bareilles and a book by Jessie Nelson, has reached its tenth anniversary, but this latest touring production proves the show has lost none of its original recipe for success. Playing to packed houses at the New Wimbledon Theatre, the show draws an audience of longtime fans, newcomers and families alike – here to revisit (or discover) this charming story.
At its heart is Jenna, a small-town waitress with a gift for pie-making and a longing for something more. In this production, Carrie Hope Fletcher confidently makes the role her own. Vocally, Fletcher is exceptional, and her voice sounds wonderful in Jenna’s trademark raspy Southern accent. Much-loved songs like ‘She Used to Be Mine’ and ‘Everything Changes’ pack an emotional punch.
The supporting cast is equally spot on. Evelyn Hoskins as Dawn and Mark Anderson as Ogie are particularly memorable, sharing delightful chemistry and bringing some of the show’s biggest laughs. Meanwhile, Sandra Marvin as Becky is a complete powerhouse – her rendition of ‘I Didn’t Plan It’ is nothing short of electrifying, earning one of the biggest reactions of the night.
The dynamic of the three waitresses remains the production’s greatest strength. Together, Becky, Dawn and Jenna offer a warm and uplifting portrayal of friendship, supporting each other through the good (and bad!) choices they make and emboldening them to step out of their comfort zone and try something new.
What remains most striking about Waitress is its ability to tackle serious issues – unhappy relationships, self-worth and the search for independence – without losing its sense of hope. Ten years on, this charming musical still feels deeply relevant. With a perfectly cast lead and a strong supporting company, this touring production (direction by Diane Paulus, choreography by Lorin Latarro) is both a celebration of the show’s legacy and a testament to its lasting appeal.
Elisha Owen
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